A Display of Gratitude

Dear Everyone ~

Alyson Kuhn, a.k.a. My Postal Muse, has assembled a display in the lobby of her local library, titled A Plenitude of Gratitude. Thank-you notes from Alyson’s personal collection were her inspiration for the display. In addition to providing visual delight, Alyson hopes to encourage thanking, ideally via post. In fact, one of the panels in the display is Alyson’s big expression of thanks to the Monterey Post Office (just around the corner from the Monterey Public Library) for taking such excellent & appreciative care of her outgoing post.

The focal point of another panel is Alyson’s Tips for Thank-you Note Delight, a list of seven points. Alyson recently gave a “guided tour” of her display, and I have rather randomly curated selections from my own archive to correspond to her talking points.

1.
From George in Whitefish Bay, Wisconsin.

We have been penpals since 2016, but have yet to meet. George consistently dates his letters at the upper left or upper right of his missives, always in the same style: month – date – year. Since learning of my hotel stationery collection, he writes to me regularly on examples from his own collection. (This notecard, with its delightful engraved illustration of a fountain pen, is from the late 1990s, from the charming Fish & Webster collection.)

2.
Even though my name is unusual, I never receive mail with it misspelled. It occurs to me that it could be misspelled Barry or Berry…and, frankly, I would love to receive an envelope with berry stamps instead of my name! Kuhnversely, Alyson frequently receives variations on her first name, and comments that she could do an entire display of them!

3.
From Constance in Machesney Park, Illinois.

Constance is an avid correspondent. She met Alyson in the steamy summer of 1995, at a workshop Alyson was teaching about…hand-folding envelopes. Constance sent me this postcard during National Letter Writing Month. She often pens her postcards on the vertical, and in this case, she’s also signed her name on the vertical, well above the postal barcode. Alyson and I can spot our outgoing/upcoming mail from Constance on her almost daily IG, which is extremely fun.

4.
From Brian in Hyde Park, Illinois.

Brian’s envelope is a paragon of colour-coordinating your stamps with the address. In this instance, he has lavishly overfranked, using five Woodstock stamps. Receiving a communiqué from Brian is the next best thing to having tea together.

4 bis.
Christina in Providence, Rhode Island.

This hand-folded envelope is haute postal couture. The Oscar de la Renta stamp at the waistline is positioned like a swatch. My pleated address completes the ensemble.

5.
From Emery in Manhattan, New York.

Her message overflows into the address section, and her initials (EK) are almost like closing punctuation. Her decorative washi tape decorative border also serves to minimize the postal barcode.

6.
From Alyson in Monterey, California.

Alyson always has a multitude of custom return address stamps. Occasionally, on a large envelope, she positions two at opposite ends of the flap, like buttons.

7.
One of the many things I am grateful for, today and every day, is that I'm always behind with my thank-you missives!

Wishing Everyone a lovely & delicious Thanksgiving!

With heaps of gratitude, Bari

Counting down and wrapping up

Dear Everyone ~

Studio Sale 2022 will go live this very evening (November 18) at 8pm Chicago time. Below is a binder’s dozen of our favourite shots of some of the delights on offer.

Friday evening may be a bit of a shopping frenzy, but in the comfort of your own home or phone. Please consider yourself gently urged not to dilly or dally, lest your cart be forlorn.

Studio Sale 2022

At the ready, Bari

Paper pleasures beaucoup for Studio Sale 2022

Dear Everyone ~

Our third annual Virtual Studio Sale is virtually and truly upon us. The Studio Sale page will go live this Friday evening (November 18) at 8pm Chicago time. A fresh preview page is already available for oohing & eyeing, but not for shopping. Herewith a peek at some specific specialties of the season.

Seasonal palettes of waxed-linen threads. Each assortment includes at least 8 colours (all 4-ply), and lengths vary from 2 yards (enough to make a loopy-link stitched book) to 6 yards (enough for a Coptic-stitch or Buttonhole-stitch book). Prettily presented in a glassine sleeve, closed with a baby YKW.

Deluxe Desk Etcet’s: Our version of a desk set contains at least 2 blank books (not housemade); a calligraphy pen holder with nib; 2 colours of marker pens; a graphite pencil; 2 lovely little boxes of fountain pen ink refill cartridges (2 different colours, natch); and some excellent accessories: 50-ish coloured metal paper-clips; an Italian plastic pencil sharpener; a chic Italian eraser; and, a graphite slab (2B), to be presented in a glass tube! This is a limited, ne’er to be replicated, edition from our reserves.

Cambridge Confectionery: A septet of Cambridge Imprint mix-and-magic half sheets (12 x 19"), rolled, banded, and entubed (?!) for mailing.

Seam-binding Suites: Rayon ribbon (½" wide) from decades past, ideal for beribboning almost anything, suitable for bookbinding, and charming for personal adornment. We highly recommend wrapping with a double layer (two contrasty or complementary colours), which gives the loops of your bow a dash of panache. Seven amusingly-named palettes, each containing 7 colours, 10 yards each. Yes, you could use these ribbons for affixing ornaments on a tree or wreath, embellishing placecards, and even for garlandizing!

Books, booklets & binders (screw-post) made by Bari will abound. Our traditional ribbon bags will overflow. Surprises will…surprise. The Studio Sale will continue through December 4. Orders will ship promptly, and curbside pick-up will be available Tuesday–Saturday afternoon (except for Thanksgiving).

Annual Virtual Studio Sale 2022

In anticipation, Bari

Bravo for new British paper provisions

Dear Everyone ~

A beauteous bounty of Cambridge Imprint papers has arrived to replenish our entire offering for the holiday season, including nine new patterns of parent sheets. Our coffers almost overfloweth! Organizing the parent sheets—filling two drawers in my paper cabinet—provoked decanting delirium.

And we herald the arrival of Hadley Paper Goods in the shop. Gift tags and notecards and concertina card sets, o my! I love them deeply, truly, Hadley. The whimsical designs are a mix of gouache & cut paper collage. The gift tags are printed on thick card stock, accompanied by assorted bakers twine for pairing. They are available in two assortments, Wintry and Botanical. They are delightfully die-cut and perfectly dressy for gift wrapping, blank on the back for your message. The largest tag measures 4" x 4" and the smallest 2½" x 3¾".

Boxed notecards come in two assortments, in a recycled cardboard box with hand-stamped label. Definitely reusable. The cards are printed on thick card stock and are hospitable to all manner of writing tools.

Fruit Salad serves up 10 sweet & petite (3" x 4") fold-over cards, 2 each of 5 fruits. The accompanying envelopes are made from a mix of recycled paper and citrus peels. (They are not aromatic.)

The Kettle’s Yard set includes 8 fold-over notecards (4" x 6") & 4 different petite concertina notecards (4 panels, each measuring 3" x 4") inspired by the lovely Kettle’s Yard House in Cambridge, U.K. The concertina’s backside is blank, for your concerted epistolary effort.

I love this Cambridge connection! The Bari Zaki Studio repertoire of Cambridge Imprint parent sheets includes a pattern also inspired by Kettle’s Yard (seen below). I’ve never been there, but you can be sure it’s top of my list for my next visit!

Back in stock are boxes of Cambridge Imprint Special Small Papers in blue & red, Peggy Angus collection of patterned papers, Special Starry Papers, origami papers, and last but not least, labels in all sizes—petite to large—for embellishing, corresponding, wrapping, and even organizing.

Cambridge Imprint parent sheets
Hadley gift tags
Hadley boxed sets

Festively, Bari

Wondrous Wanderlust Papers

Dear Everyone ~

I’m delighted to debut a lust-worthy range of decorative papers by Wanderlust Paper from England. I discovered this line thanks to Emery Kennett, my nimble shop assistant & paper pal plenipotentiary, who brought me a lone, lovely sheet of the Pink Flora pattern from her trip to the UK last summer. Yes, I swooned, and then I immediately made a buttonhole-stitch book using the BZS paper sandwich technique! (See below.)

Recently, I have glued a constellation of Navy Stars to two book covers in process. The results are, well, stellar.

The Wanderlust Papers score, fold, and glue beautifully! They also crease almost magically. They are perfect for bookbinding, boxmaking, wrapping & envelope making. Sheets measure 19¾ x 27½, and they are heavy yet supple (100 gsm). The paper itself has a charming name—Callisto Pearl—and it is indeed perfectly pearly: warm in tone and super-smooth to the touch. The inks sit vibrantly atop the matte finish.

I have stocked an array of seven patterns, identified by their wanderluscious names. I will comment that the Gingham pattern is mildly mesmerizing—the Blue could be called Indigo Plaid.

Wanderlust Papers

Bookward (my new favourite word) — Bari

P.S.S.
Preview Studio Sale!

Friday, November 18, at 8 p.m. (CST) marks the beginning moment of this year’s virtual studio sale. The studio sale preview page is now live. We hope you will be wreathed in smiles. BZS books and accessories on offer include several screw-post binders, several buttoned-up envelope booklet sets, a duo of deluxe large pamphlet-stitched books, a trio of envelope-cases, one long-stitch-link-stitch book with a pair of bound-in handmade envelopes; a concertina (accordion) album whose panels span 5½ ft, and a pencil caddy & noteholder in a pear tree.

Mighty fine sketchbook musings & perusings!

Dear Everyone ~

This past summer I debuted the Mighty-fine-nine-signature-spine-book (MFNSSB) workshop via group Zoom. I had taught it in person pre-pandemic, and then Gabriele in Austria was my first Zoom student. You can read her delightful “report”, and see her beaming with her book, here.

In the group Zoom, we started by preparing our signatures, cover, stitching template, and spine…and then began to stitch our first three rows. Everyone stitched the remaining six rows on their own, with my video for reference. Some students completed their books that very evening, some a little later, and all were incredible to see! Yes, as usual, I requested photos of the finished books. What I really would have loved to see would be all the books lined up in a row! The five books at the top of this post were made by me, before, during & after the workshops.

Several students wrote to say how much they had enjoyed the process…and that they wanted to make more! Indeed, a couple of students had purchased extra kits before the workshop. Maria ordered two extra kits when she registered…and an additional four kits shortly after the workshop. She wrote: “The five books I’ve made have ended up in Northern England, Norfolk VA, Philadelphia, Florida, and Michigan. One friend has said she will use her book to write her favorite poems in. I am happy as long as they are used—grocery lists and to-do lists, the poetry of my life, are just as ok as poetry and drawings and calligraphy.” Maria’s aerial view gives me double Double Happiness!

Michelle e’d me to say: “I finally ‘finished’ my mighty fine nine signature book this morning. I had worked on the stitching and finished it the weekend of the workshop, but didn’t get it totally tidied up and pencil marks erased, etc, til this morn. I loved the class, and I found this binding challenging and cathartic at once. I enjoyed it so much. I really loved the complexity of the stitching aspect…and I love the color scheme. Exactly what I wanted!” Michelle’s shot of her spine is more than fine, it's divine!

Carla is perhaps The Ultimate BZS Workshop Enthusiast. She recently joked that she wished I had an Automatic Sign Me Up button she could just click on. She was in Chicago visiting her daughter at the beginning of September, and came to visit me at the studio on my birthday. She arrived bearing not only French macarons in a pastry box that she’d embellished with Cambridge Imprint scraps, but also her MFNSSB she had begun in the group Zoom, to show me. Here you see her at Bari Zaki Studio displaying her work-in-progress. She has now finished that book and made a second book! I asked her what she was doing with her MFNSSB #1, and she wrote back:

“ Yes, I’ve started using my first MFNSSB for daily, weekly watercolor practice. I’ve not filled many pages but decided I needed to dive with Cat’s voice in my mind! Since making the journal was such a learning process, I decided they were perfect books to use for practice and to experiment with watercolor. ”

My mantra for any book is that once you begin using it…it actually gets more beautiful! Yes, the book itself is a lovely object, but it is what’s inside that makes it engaging to flip through, and therefore memorable.

Emery, my nimble shop assistant & prolific artist, made her first MFNSSB back in 2018, and enjoyed using her book with reckless abandon—which I love!

Emery always has a sketchbook in her bag, and I’m perpetually curious to see what she's been musing about. She came to visit the shop recently, bearing two books she was at the beginning of stitching. She asked my opinion…and that reminded me that she had previously written me—with righteous abandon!—her musings about her process of using her many sketchbooks. In keeping with our theme, here are nine of her encouraging thoughts:

1.
Not every page needs to be a work of art. Especially not the first page. This, I know, is easy to say but a very difficult mental battle for some.

2.
If your biggest concern is accidentally drawing something ugly on the first page—you can solve that problem. You don't have to draw anything, and you can put something there that you already think is lovely.

When I do want to get started and don't have anything I really want to do, I sometimes just write on the first page that this book belongs to (your name here) as of xx date, and then I might do some squiggly border and call it a day.


4.
Or I just tape/glue in a bunch of things that I had been collecting for inspiration, like postcards, napkins, scraps of paper, a leaf, etc. If nothing else, it gets rid of the pile of pretty clutter taking up valuable real estate on my countertop.

It's ok that you don’t make everything. It may inspire or connect to whatever you choose to draw later. If this book was a gallery: you are the curator. It will all go together because the papers and leaves and postcards and doodles all have the same thing in common—you!


6.
I know it intrigues Bari that my sketchbooks tend to get very beat up. This is because I carry them around for a long time before they make their way to my sketchbook bookshelf.

I am usually carrying around 1-2 sketchbooks, the one I am working in now, and the one I just finished.

8.
Even when a sketchbook eventually finds a spot on a bookshelf, it will never stay in the same place. I am constantly flipping through them.

And the frosting on the Emmy cake:

9.
If I was drawing a bunch of cakes a month ago, and want to try it again today, I can go back and look at what I did before. I will pull all the parts I liked and try to see if I can do something I like better. Maybe I liked the cherries from one cake and the shape of a different cake, so let’s see what it looks like if I put those two together.

A mighty fine range of the MFNSSB’s I’ve made are now available in the online shop.

Bookish, Bari

Packing up parcels at the Palette Palace

Dear Everyone ~

I continue to be in the thrilling throes of assembling kits & shipping parcels for my two upcoming group workshops via Zoom: Screw-post binder with see-through window and Triptych of Coptic-stitch Bindings. As of today I have shipped several armfuls of kits (and tools) for students who will be making screw-post binders and/or trios of Coptic-stitch books. Several students are taking both workshops, so their parcels are well on their way. I felt truly intercontinental as I prepared shipping labels for Canada, Austria, Arctic Norway, and…Singapore! I don’t even know how many time zones are involved here, but I love that we will all be together for our papery pursuits.

In the Triptych of Coptic-stitch Bindings, we will make a trio of books, all the same size, each with its own stitching variation—and different needles for everywhich stitch! So that the books make a lovely set, we will cover them in three colour-coordinated Cambridge Imprint patterns. I had a wonderful time devising the first three palettes: Daydream, Seascape, and Sorbets. I’ve just come up with two new palettes, Gray-dations and Giverny, because Seascape and Sorbets have sold out. Yet again, I reveled to realize that the Cambridge combinations of papery permutations…are marvels of mix-and-matchmaking. The Gray-dations palette strikes me as autumnal, and the Giverny as summery. (Nota bene: A handful of Daydream kits are still available.) You can read more about the workshop, the book structure, and the kitful of materials here. And if you’ve been dillying or dallying about signing up, you are not too late to receive your very own kit forthwith, in time for November 5!

I'm looking forward to making books with you soonish!

Triptych of Coptic-stitch Bindings

Coptically but not cryptically, Bari

R&R&R at BZS

Dear Everyone ~

This week I have been in the throes—and thrills— of assembling and shipping kits for the upcoming debut of Screw-post album with see-through window. And I’ve had the almost indescribable pleasure of doing this in My Visual Happy Place, my beautifully refreshed shop. My dear merchandising angel came in to work her magic right after my return from the U.K. She had numerous new items to decant and install on her R&R&R (Restock, Rearrange, Revel) manoeuvres. Let me show you around the shop-shop and the workshop-shop.

Kit assembly for the screw-post binder workshop involved quite a bit of measuring, trimming, cutting, and colour coordinating the assortment of decorative Japanese papers & linen bookcloth that is included in each kit. I began, as always, with choosing the papers for the covers & interior panels, then moved on to mixing & matching them with a range of bookcloths. For the interior panels, I’ve selected very vintage papers from my Aiko’s archive. They are monochromatic, showcasing classic Japanese motifs: stars, maple leaves, and checkerboards. Each kit is one-of-a-kind, and as I organized the sets, the center table became illuminated!

The half-day workshop will take place via Zoom on Saturday, October 29, and it is not too late to sign up and still receive your kit in time. (You can read about the workshop, the book structure, and the kitful of materials here.)

My merchandising angel prefers that I not perch on her shoulder while she works, but she does allow me to peek & coo. For me, it is such a joy to watch her create pairings & vignettes: waxed-linen threads with washi-tapes & Hahnemühle accordion books; my colour swatch books alongside the Japanese sumi-e watercolour sets; and, the papery pièce de résistance, the “desk of pads” cozying up to the table freshly stocked with stacks of Saint-Armand (6" x 6") pads—in classic white and superb stripes.

Screw-post album with see-through window

I look forward to seeing you in the shop and via Zoom soon!

Really excited, Bari

Trip report: Papery & postal pleasures in the U.K.

Dear Everyone ~

I’ve just returned home from two dreamy weeks in the U.K. Our last visit had been in September 2019 for our nephew’s wedding … It had been three years since we’d seen family, and this visit felt like a bookend to the pandemic. As it happened, our arrival coincided with the end of Queen Elizabeth’s reign.

As you might imagine, one of the first things I like to do when I arrive is head to the nearest post office to see what the current mailing rates are and to purchase stamps. In the U.K. many post offices are located inside co-ops. This is handy for picking up a range of items in one stop—vegetables, bread, jam, eggs, beverages, chocolate, newspapers, and of course mailing supplies. The first post office I located was just a short walk down the road and around the corner from where we were lodging. As I approached, I discovered that the post office co-op was in a building that had been someone’s home!

Assuming that postal rates had increased since my previous trip, I enquired about the costs to send (a) a postcard, or (b) a postcard ensconced inside an envelope, or (c) an envelope bearing a notecard plus a blank postcard. I requested enough postage for 20 envelopes, but the clerk hesitated, explaining that he was running low on stamps! My guess is that there was a run on Queen Elizabeth stamps. The clerk was able to sell me exactly what I needed by offering me some single stamps with the requisite denomination and some pairs of stamps totalling that same amount. Typically, I like to use several stamps, including some special issues, but this time I was happy to go classic (and monochromatic) and honour Queen Elizabeth.

A paper purveyor priority had presented itself before the trip! Once I knew we’d be spending time in Dorset, I sent word to Melanie & Julia of Molesworth & Bird (The Seaweed Queens) to see if we could meet up … which we did! Their shop is adjacent to (or perhaps somehow even attached to) The Town Mill, which is a working water mill with a courtyard, shared by several artisans, art galleries, and a cafe. I met Melanie around lunch time and we sat by the sea, on the very beach where they gather their seaweed to press for their specimens. We had tea and a chat, and it was like a dream! Another day, I revisited the shore and collected a few seaweed specimens for myself, and have brought them home, unpressed, in a small airtight box.

As we motored from town to town along the southwest coast, I spied several charming post offices, one in a town called Broadwindsor that was no longer a working post office. Because of the town’s stringent building codes and historic facades, the shopfront remained a post office…while its imminent occupant renovates the space to become … his new home. Can you imagine? Across the road was a decommissioned phone booth that the town had turned into a free library. So inviting!

Later in the week I visited a hand papermaking mill, and am delighted to report that I’ve ordered two types of paper to stock in the shop. My order will be on its way soon, and I’m saving glorious details of that visit to share with you once I have the paper in hand. For now, I can’t resist showing the wrapping of the “souvenir” I was graciously presented with. Can you guess?

Speaking of mailing & papers, because I was so close to France, I decided to have my shipment of Season Paper notebooks—which have been out of stock for too long— shipped to me in the U.K. for air transport home. The patterns are, as always, délicieux!

Bari’s Birthday Bounty (belatedly)

Dear Everyone ~

Earlier this month was my birthday, and I was overjoyed to receive such a bounty of papery gifts & real mail from workshop students, other customers & friends! From hand-folded envelopes to assorted bonbons, both to eat and to display, here are just a few delicious details.

My postal muse, a.k.a. AK, sent me a suite of surprises, all wrapped in a chorus of Cambridge Imprint patterns. The largest item is a book (Fresh Water for Flowers, which I’m so looking forward to) and the card atop it is the handiwork of our mutual friend Maralee Kielborn, who is more than masterful with a micron pen. Alyson had received this card penned by Maralee (blank on the back) a couple of years ago, and kept it for the perfect occasion, which turned out to be my birthday! The smaller bonbons contained to be wood type, including a big BZS, a tiny u, and an extra Z, so I can spell BuZZ.

Robb, who is BZS’ Cambridge Imprint origami folder & arranger, sent a festive envelope that enveloped me with delight. He fashioned a protective “portfolio” bearing part of a Japanese paper fan, with the inscription From a big fan. He enclosed elegant ephemera he hoped I’d enjoy, most notably several sheets of personal stationery from Charing Cross Road—but not the eponymous London bookshop at No. 84! This was from the Playboy Mansion on Charing Cross Road in the Holmby Hills neighborhood of Los Angeles. So, this treasure is tangential to my collection of hotel stationery, because when I was young, my parents took my brothers and me to the Playboy Hotel in Lake Geneva, Wisconsin. Robb also bestowed upon me five vintage Chicago postcards, including a particularly lovely one of the interior of the Garfield Park Conservatory.

One of my newest correspondents, Audrey Kuhn (Alyson’s niece), sent a magnificent handmade card that also arrived exactly on my birthday. Her theme was a bouquet of beautiful B’s, and it was beyond bon, a mix of hand-lettering and collage. The back was brimming with B-words, including her sign-off: Brightly Beguiled by Bari. Audrey was a lettering artist for Trader Joe’s before becoming a photographer and gourmet correspondent. Her birthday envelope to me is at the top of the post.

Carla Jacob, Bookful all-timer, bookbinding enthusiast, and avid correspondent, happened to be in Chicago and brought me a selection of delectable confections. She embellished the clear container with Cambridge Imprint shards & scraps!

A few weeks ago, chocolatier & paperista Wendy Sherwood was travelling through Chicago and stopped in the shop to chat & to wrap. She gifted me an incredible assortment of her hand-marbled papers, pristinely presented in an envelope she had hand-folded from food-grade glassine. After her visit, Wendy sent me this delicious envelope she had made from a Cavallini calendar page that she had hand-cancelled.

Last and littlest, but not least, look at my card from my friend Melanie’s granddaughter Ellie! She hand-folded the envelope—with a bit of help from Melanie, of course—and she chose the page from a 1980s Martha Stewart magazine. I love how she’s colour coordinated her endearing collage with the ink she wrote her greeting in… And I’m beyond delighted to have an “early Ellie” work of art.

I am ever so grateful to be the recipient of such thoughtful & creative birthday keepsakes—and tickled to see “BZS” materials & inspirations boomeranging back to me!

Boundless joy, Bari