A banner week for a bounty of British papergoods

Dear Everyone ~

Sending parcels is a daily occurrence at BZS. For outgoing orders, I enjoy wrapping each item individually in crisp white tissue with my favourite yarn or ribbon. And I always pen an accompanying note on one of my Glimpses & Whimsies postcards, and when I’m sending two parcels to one recipient, I send two notes. 
 
Incoming parcels, especially those from overseas, may not necessarily include a personal note, but they definitely bring a special sort of anticipation… and pleasure when opening, even though I know (mostly) what’s inside. Somehow, the opening & decanting of items is still exhilarating. Most often, the contents are replenishments, and occasionally I will have chosen something new that has caught my attention. 

This past week, I received a much anticipated parcel from the UK, from nature artist James Winrow, replenishing his notecards, as my original stock flew out in a matter of hours. Here you see his signature parcelizing style. The little “mark” in the middle of the envelope actually says Bari. Zoom in and swoon.

I also received a parcel from London-based artist & printmaker Sarah Hamilton. I'm fairly certain that Sarah first came into my life via an Instagram rabbit hole, though it was so many moons ago, I’d completely forgotten about that. I think of her only as a kindred spirit I’ve always known—she is such a lovely soul! Much earlier this century, I purchased a handful of her cards for my personal use, and had them shipped from the UK. I have cherished them all these years, never parting with even one, always dreaming that one day I would stock her cards in the shop. Now, finally, I am beyond delighted to herald the arrival of Sarah’s cards at BZS! 

Sarah’s foldover notecards are available in three different sets: Hamiltonia, Flora & Avia, and Mid-century. All three sets come with envelopes, though the Flora & Avia cards are too small to mail (in the US!).

A bit more about Sarah: She is an author as well as a printmaker & artist. Her book House of Cards showcases ten papercraft artists and explores their creative process. She also founded the Just a Card campaign, which champions independent artists. 

This week also brought a pair of parcels from Cambridge Imprint, replenishing many items, including the boxed set of Peggy Angus patterned papers and the Heart Bunting Origami kit

New to the Cambridge repertoire of labels is a fresh size & format. The labels measure 2¼ x 3⅛, which is between the current Medium and Large sizes. After deliberating between Demi-large and Semi-medium, I’ve decided to refer to them on the Cambridge Label Menu as Medium-well. They’re lovely for labeling jam jars, addressing envelopes, organizing this & that, or whatever-have-you. As always, printed on smooth ivory stock that takes all manner of writing implements gracefully. A dozen Medium-well labels, six per sheet, each with a different colour of border. Presented in a BZStyle glassine sleeve.

 
On the wing: If you have been on the waitlist for James Winrow's notecards, you will receive an email from me to confirm your order. And if you were not on the waitlist, but have been dreaming about ordering a set or two, the online shop has been fully replenished. A little birdie has told me to anticipate the arrival of a flight of James’s very freshly printed postcards, currently winging their way here. Stay tuned, she chirped!

Notecards by Sarah Hamilton
Notecards by nature artist James Winrow
Cambridge Imprint Medium-well Labels
 
Cheerio, Bari
 
PS:
Also replenished are Stick-stick washi tape & colourful paperclips from Italy. 

A bundle of retrospective joy from BZS

Dear Everyone ~

Yesterday was the first day of spring, an auspicious time to begin anew, to renew and refresh. It was also the three-year anniversary of my first Bundles of Stationery Joy. At the time (March 17, 2020), I had no idea that the bundles would quickly become such sentimental favourites with customers whose lives-as-usual were suddenly suspended by the pandemic.
 
Literally overnight, I closed the retail shop and stopped teaching in person. I remember being on the phone with my dear friend & postal muse Alyson Kuhn. We reflected that sending & receiving mail would be a beacon of connection for people during this time. And so my very next blog post was renamed Stationery for the Socially Stationary. Each bundle of bundles felt more like a care package than an “ordinary” order.
 
I began to send out weekly, oftentimes twice weekly, blog posts to cheer people up & on. Later in 2020, I began teaching via Zoom. Now I teach students across the globe in various time zones simultaneously. The shelter season also inspired me and my dear friend & co-teacher Cat Bennett to create our Bookful series. Our next four-session workshop will be announced soonish, and will be our tenth (10th!) series! 

Meanwhile, back to the bundles: The original Bundles of Stationery Joy have gone on to enjoy several incarnations. There have since been Spring, Deluxe, Dressiest & Mixi-Matchi. Perhaps the most “personal” for me was the Booster Bundle in the summer of 2020—which raised $700 for Move On’s #SaveThePostOffice campaign. Assembling the bundles—or bundling— is always a nostalgic meander for me, as seeing and touching the papers, envelopes & postcards reminds me of their provenance. It’s also when I see a particular card that I will think to myself, “Oooh, this would be perfect for a particular person and missive”. 

To honour the third anniversary of bundles, I have gathered Blooming Bundles of Stationery Joy, high in happy harbingers of spring. Each primer-of-primavera bundle offers 30-some assorted envelopes with notecards and at least eight postcards. We don’t see how a sampler could be ampler! The inner bundle is enveloped, cosseted, even swathed in crisp white tissue, tied with French embroidery thread. The outer wrap is a 12 x 16 sheet of Wanderlust paper, in your choice of Blue Flora or Pink Flora, gently washi’d and beribboned natch, ready to reuse for wrapping, bookbinding, collage, origami, or enveloping.

I am endlessly grateful that my shop, parcels, and workshops continue to bring so much joy and bookbinding inspiration to customers & students, whether you live down the road or across the globe. I look forward to communing with you in the shop, my inbox, and especially in my mailbox for many moons to come.

Blooming Bundles of Stationery Joy
 
Always blossoming, Bari
 
PS:
If you’d like me to do special beribbonment on Easter gifts, I’ll be happy to hop right on it. Seam binding ribbons are available for pairing (and wearing) in a panoply of pastel perfection, from palest pink to subtlest menthe.

New shop-and-tell: the recent, the replenished, and the refreshed

Dear Everyone ~

I’m delighted to showcase a few new items that have recently arrived in the online shop, including dressy paper clips from Italy, pencil sharpeners from Germany & a fresh selection of notecards by Hadley Paper Goods in the UK. There’s also a large handful of small items that have been replenished and refreshed. See below for glorious details and shop links.

These colourful clips can really dress things up. Sheets seem more chic. Enclosures seem more elegant. A white clip on a dark background? La crema della crema! A chartreuse clip on a pastel page? Primavera perfection! Red on pink, blue on white! This baby box of 50 clips will put you in a state of stationery delirium.

Dressy Italian paperclips

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The Case-binding tool kit has been kitted out with our new glue brushes from Britain. You may bristle with anticipation.

Case-binding tool kit

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Look sharp, pencil people! In 2015 when I first opened the shop, I stocked a handful of different brass pencil sharpeners. Over the years, having sharpened hundreds and hundreds of pencils, I have determined that these three sharpeners are simply perfect for making your point.

Trio of brass sharpeners

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Bundlini are freshly beribboned and now restocked in three sizes: mini, medium & bigger. Go scrap-happy.

Bundlini

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After many a moon, pencil pouches are now back in stock! Two dozen assorted pencils to do your creative bidding, in their perfect plastic protector.

Pouch o’ assorted pencils

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We herald the arrival of six new whimsical designs by Hadley Paper Goods. Extremely good for a spring greeting, a thank you, a birthday, or what-had-you.

NEW Hadley notecards

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Chamois, the colour of butter cookies and tea-tinted linens, has been retired from the Velke Losiny repertoire. I am pleased to have cornered the market on the remaining stock. Dally not & I’m not shamming you.

Exclusive chamois cards & envelopes from Velke Losiny

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At a brisk clip, Bari
 
PS:
All the notecards by nature artist James Winrow flew out in a flock! I sent word to him immediately to share the good news, and he was beyond delighted. He has promptly assembled a parcel of freshly printed cards that he will post this week. I anticipate their arrival relatively soon-ish and will keep you posted! If you'd like me to set a set (or two) aside for you, please call or e me.

My magnum of avian delirium

Dear Everyone ~

 Last September, Zak and I visited his family in the U.K. We also traveled around the countryside a bit, including Lyme Regis, on the Dorset coast. I mentioned Lyme Regis in my blog post about my papery pursuits of the trip, including a long-anticipated visit to Molesworth & Bird, the seaweed queens… While I was on my way to visit Melanie Molesworth (Yes, it’s her real name.), I popped into a lovely little shop called Ryder & Hope on the main road.

A delightful notecard caught my eye, bearing an image of a Rock Pipit (per the caption on the back), delicately drawn in graphite. The illustration reminded me of another bird I had just spotted, on the fly, while we were en route to Lyme Regis, called a Wagtail. I’m not a birder per se, but so love learning about them. Plus, the two textures of the notecard & envelope made for a dreamy combination. I bought the card and tucked it in my tote, planning to send it to my dear husband once we returned home…but then found myself not quite ready to part with it. So….

A few weeks after arriving home, I sent word to the artist, James Winrow, to see if he would ship his cards overseas. He responded promptly in the affirmative, and we Zoomed to confirm the particulars. And then we continued to chat about many things nature & paper. 

I logically asked if he knew Melanie of Molesworth & Bird. He knew of them, and where the shop was located, but had not been. Later that week he ventured over to meet them, and it turned out that Melanie had bought one of James’s notecards as a Valentines Day card for her husband! I love this kismet!

This past week, I received my order from James, a totally tidy parcel. The cards were “nesting” in cotton wool, so much softer & sweeter than kraft paper—not to mention birdlike. The unexpected (but, I admit, hoped for) enclosures were every bit as delightful as the cards themselves. He included a handwritten note on what I would consider a “vintage postal artifact”, a fold-over Carte Postale. The tiny feather that James attached to the card is from a Snipe (Gallinago gallinago), and he explains that “this is what they create their ‘drumming’ noise with.” My heart pitter patters.

I am beyond delighted to formally herald the arrival of a quartet of James Winrow’s charming illustrated notecards; Dipper, Rock Pipit, Pigeon, and Quaking Grass. On the back of each card, James has written a beautiful little description for each drawing, including where and when he drew it, along with the Latin name.

They are available as a set of four, with envelopes that have a laid finish and a deep V-flap with rounded tip.
 
James Winrow notecards
 
Cooing, Bari

It looks like a bookbinding tea party!

Dear Everyone ~

This past Friday, I had the extreme pleasure of a visit with Raquel, a dear friend and bookbinding pal from Brazil. We had first met back in 2018. She was visiting Chicago and introduced herself to me via Instagram. Once she knew what her itinerary was, she sent word to see if she could schedule a private workshop to learn the limp-vellum binding. She could, she did, and you can read about that serendipity here

During that visit, we had managed to muse about all things paper & bookbinding. Raquel had brought to show me a book that she had made especially for her trip. It was a Long-stitch-link-stitch book with hand-folded envelopes. I was familiar with all the individual elements but I had not yet combined the three—binding style, signatures, and stitched-in envelopes—into one delightfully useful ephemera book à la travel diary. Raquel’s visit was inspiring to say the least, and we’ve stayed in touch ever since.

The timing of her visit last week was awesomely auspicious, as I was in the throes of assembling the kits for my upcoming workshop via Zoom: Long-stitch-link-stitch with Hand-folded Envelopes! Whilst I was trimming paper-backed bookcloth, winding thread & organizing the combinations of materials for each kit, Raquel reminded me of a moment during her original visit. When she first showed me her L-s-l-s book, I said to her, “That’s a very happy book!” My heart smiled from ear to ear when she reminded me of that!

This visit, Raquel brought me something else she had made: a double chocolate cake—from a Brazilian recipe, made with American ingredients. Double happiness is imminent!

Long-stitch-link-stitch with Hand-folded Envelopes, a two-part workshop via Zoom—debuts in a little less than three weeks, on Saturday, March 18. Students will make one L-s-l-s book in the workshop, and a second book on their own, with the live recording to keep them company. Both books measure 5½ x 7½ x 1¼ with 12 pages (24 serendipitous sides) and a pair of bound-in hand-folded envelopes with string-and-button closure. You can read more about the workshop, the book structure, and the kit of materials here. And if you’re contemplating joining us, it’s not too late! I will be delighted to ship your kit post haste!

As always, I will live record both workshop sessions, and these will be available to you later the same afternoon to watch and rewatch at your leisure. No previous bookbinding experience is necessary; a bit of glueing experience is a plus. You will have ample time during each step to ask questions while we work. If you have any questions now, please feel free to call or e me to discuss!

I’m looking forward to hand-folding envelopes, glueing & stitching with you in this 8-ish hour two-part workshop!

Long-stitch-link-stitch with Hand-folded Envelopes

Zoom zoom, Bari

Welcome spring with a workshop fling

Dear Everyone ~

I am delighted to debut two workshops via group Zoom: Glueing Happiness Season 3 and Introduction to Drop-spine Boxmaking. 

In the earlier incarnations of Glueing Happiness, students made two different structures: a hardcover padholder and a medium-sized clip-board, each accessorized with a freshly wrapped butterfly clip. Students used three different materials: Japanese decorative paper, hand-marbled paper & paper-backed bookcloth. Glueing these diverse paper surfaces allowed students to experience their distinct personalities.

My inspiration for the new workshop, Glueing Happiness Season 3, came while I was experimenting with covering a few pencils with Tassotti papers from Italy. They are the thinnest decorative papers I stock in the shop (Wanderlust papers being the heaviest). The Tassottis are excellent for many paper crafts, but lightweight papers typically can be more tricky to glue—but they also can be incredibly charming on a book or a box. So, I paper-severed. And I believe  it’s always well worthwhile to experiment & experience  firsthand how papers behave before starting on a more complex book or box. By making the same structure from various materials, we will be able to discern their differences—and discover our preferences on the path to ultimate glueing happiness.

In Glueing Happiness Season 3 you will make a trio of identical structures—three hardcover padholder-folders measuring 4½ x 8 x 1¼—using a quintet of bookbinding materials. In the process, you will learn & actually feel how grain direction impacts the way paper will curl when you are in the midst of glueing. For dessert, we will beautify butterfly clips and wrap pencils. You will be able to emulate my technique for trimming & glueing your pencil-covering papers perfectly. 

Whether you are a glueing novice, a budding bookbinder, or merely in the mood to make a trio of hardcover padholder-folders accessorized with beautified butterfly clips & wrapped pencils to delight your desk or someone else’s—this gluetorial will be educational & entertaining.

Introduction to Drop-spine Boxmaking is my first boxmaking workshop via group Zoom! Students will make a twosome of drop-spine boxes, one in the workshop (the smaller, 4½ x 6½ x 2) and the larger (5½ x 7½ x 2) afterwards on your own. This particular box structure was my introduction to making a box over 30 years ago, and it has been my springboard for adapting this foundation to various box styles. It is ideal for practicing the fine points of trimming decorative paper for wrapping around the visible edges, corners & seams to create “seamless edges”.

The drop-spine structure is an elegant way to encase cherished volumes and ephemera; it is also a great home for photographs, postcards… or even a collection of washi tape. Your duo of boxes can stack chic-ly on a desk, or stand up on a bookshelf, where they look very much like books!

The materials I’ve selected for the kits are a colourful array of Japanese papers & bookcloth. I look forward to assembling each kit individually with a complementary combo.

As always, I will live record all workshop sessions, and these will be available to you later the same afternoon to watch and rewatch at your leisure. No previous boxmaking or glueing experience is necessary. You will have ample time during each step to ask questions while we work. If you have any questions now, please feel free to call or e me to discuss!

Glueing Happiness Season 3 
Introduction to Drop-spine Boxmaking

Zooming into spring, Bari

For the love of hand-folded envelopes!

Dear Everyone ~

Today is a confluence of things we love: Valentine's Day and the second birthday of MORE Art of the Hand-folded Envelope, which debuted on February 14, 2021, which you can read about here. In honour of the occasion, Alyson Kuhn (my postal muse, envelope mentor, and creative collaborator) and I have refreshed & plumped the companion kit.

The updated kit includes supplies from several newish-to-me sources. I’ve selected cover stocks from French Paper (a wonderful all-American papermaker in Niles, Michigan; “French” is the family name) in four earthy colours: brickish red, blue butcher, krafty orange & deepest blue. There are also address labels from Portland Stamp Co., in Oregon, that are not only red bordered, but also perforated. They are assorted size-wise, from petite (for initials or a return address) to spacious. They welcome all manner of writing implements, including typewriters. If you order your MORE Art of the Hand-folded Envelope kit with tools, your official pencil (No. 2B) will be wrapped in a Tassotti paper pattern, from Bassano del Grappa in the Veneto region of Italy. 

 I am aswoon when my daily mail includes a hand-folded envelope (or two!). And even when I’m not the recipient, I am still always curious to see photos & hear more about the envelope folder’s inspiration & process. Speaking of which & whom, I recently received a handful of lovely envelopes—details and inspiration  below—and a visit from Pat Kilduff, a longtime customer who took one of my very first envelope hand-folding workshops in the studio back in 2016. The timing of her visit was auspicious.

Pat sends out Valentines instead of Holiday cards. She has been doing so for the past 10 years. And after learning to hand-fold envelopes, Pat now ensconces her handmade Valentine cards in a one-of-a-kind handmade envelope. This year she sent out 70! I would have loved to see & share with you her tabletop whilst she was in the midst of folding, scoring and cutting, but by the time we met last week, she said, “I have already swept up the evidence”. But she did send me a few photos of her envelopes and cards, and expressed, “Here is a sample of this year’s cards. Thank you for setting me on this path!”

I recently received two envelopes hand-folded by Alyson, in honour of the Year of the Rabbit. Her petite 5 x 5 envelope held a notecard showcasing the Canadian Lunar New Year stamp design from 2011. Alyson made her envelopes for this series from either an 8½ x 11 or an A4 sheet. Her “big bunny” envelope is made from the rabbit page of the 1993 Pentagram calendar, featuring designer/artist Alan Fletcher’s representations of all 12 animals, composed of ephemera collected on his travels. This envelope is a center-ish seam, to show off the Years of the Rabbit and the calendar’s spiral-trim. The 5 x 5 envelopes are announcement-style, with a deep seal flap.

Here is an array of hand-folded envelopes I’ve received from various correspondents, made from delightfully diverse materials (starting at 12:00): a book page; wrapping paper; painted paper; New Yorker cover; a personal doodle; sheet music; and a page from Katie Scott’s Botanicum. An embarrassment of epistolary riches? Never!

Calm, cool, and Collector’s Album

Dear Everyone ~

The last few days have been a flurry of kit assembly for Collector’s Album, a two-part workshop via Zoom that begins Saturday, February 25. As I type this, a large armful of parcels are wending their way to students across the country, plus a couple to Canada. Students who will be taking my other upcoming workshop, Long-stitch-link-stitch Binding with Hand-folded Envelopes, will receive their kits for both workshops in a single parcel.

The kit for Collector’s Album is one of the most intricate I have ever come up with. It includes two complete sets of materials—one for the album we will make together during the workshop, and a second set for students to make on their own (with the help of the live recording from both workshop sessions). The album ensconces seven elegant hand-folded envelopes—that we will make without a template! Our motto is Template fugit! My center table overflowed with wondrous Wanderlust papers wandering over every surface available. Now, my heart is overflowing at the prospect of what students will put in their albums.

You can read more about the workshop, the album structure, and the kitful of materials here. And if you’re contemplating joining us, it’s not too late! I will be delighted to ship your kit post haste! 

If you’re new to bookbinding &/or envelope making, I’d like to assure you that the workshop pace is calm, and it’s cool to ask questions. A little glueing experience is a plus, but not imperative. 

I’m looking forward to hand-folding envelopes, glueing & stitching with you in this 8-ish hour two-part workshop! 

Collector’s Album
 
May you be enveloped, Bari

It’s marvy, it’s mixi, it’s matchi, it’s Stationery Joy

Dear Everyone ~

This past week I spent several pleasant hours exploring the drawers at the base of my card cabinet. It resides in the shop, nestled in a perfect alcove (as you can see below). The cabinet was a gift from Chuck Izui, the owner of Aiko’s, back in 2008. It is as sentimental as it is practical. The drawers are wide and deep and hold most of my stationery supplies and reserves. When the drawers open & close, they make a soft, smooth sound that transports me back to the days of shopping at Aiko’s… and continues to inspire me.

My wandering yielded many papery delights, enveloping me in nostalgia and…an idea for the Mixi-matchi Bundle of Stationery Joy. In addition to umpteen envelopes, the bundle includes several sheets of writing paper of assorted textures and provenance. When you hold them up to the light (natural or otherwise), the watermarks and laid lines are a treat to behold. Companion items include sheets of cover stock, including some super-heavy, for cutting your own enclosure cards or even postcards or beautiful backs for backless envelopes. The creative combinations & permutations exceed our arithmetical (hmm!) dexterity.

But wait, there’s more: A full sheet of large Cambridge Imprint labels (10) and a handful of used vintage foreign stamps for decorative purposes and three vintage Special Delivery labels.

Take a breath, there is still more: Each Bundle includes a binder’s dozen of miscellaneous epistolaria (hmmph!). No two bundles are the same, but each is its own epitome.

This is my most sumptuous Bundle offering ever. I’ve made a re-useable bag to hold everything chic-ly. Each bag required a full sheet of Cambridge Imprint (yielding a few smallish scraps for the future, natch), and is secured with a double-layer length of blue (2 tones) organza.

Mixi-matchi Bundle of Stationery Joy
 
Verily epistolarily, Bari

Bookful musings from Cat Bennett

Dear Everyone ~

My ninth workshop collaboration with Cat Bennett—Bookful for The Arrival of Winter—debuts in just under two weeks. On Saturday, January 28, we will all convene to make our buttonhole-stitch books. The spine has a little window in it, through which you see your embellished signature folds. Speaking of signatures, I think of this structure as my signature binding style. I’m thrilled to be teaching this technique as a Bookful workshop for students far and wide.

I have assembled all the materials for the kits, and it was quite a fest of Wanderlust. Two students’ parcels are wending their way to Canada, and one is en route to Austria. All of the stateside parcels have also been entrusted to the USPS and are on their way to all corners of the country!

I truly love students’ exuberance for wanting to make more and more books. It brings a smile to my heart from ear to ear. One Bookful student has ordered all three palettes, and three students have ordered two palettes. We will be joined by a young couple from Arlington VA, who will be sharing their new bookbinding tool kit. They each will have their own set of materials. I ❤️ this!

Cat is generous talking about her creative process. She offers warm-up exercises to get us in the flow. One of my personal all-time favourite Cat mantras is act on inspiration. When I suggested she elaborate on this here, she replied: 
 
“Hmmm. Not easy to do, I have no idea!! It’s all intuitive and natural and I basically do what I did when I was in kindergarten—just pick up a pencil and start with a mark!”

“I like to use different mediums—watercolour, gouache, and coloured pencils too. Some things are best painted. Some can be bolder in cut papers. Sometimes a simple pen drawing and a few words is enough. With painting, I put down the basic shapes in color and then add detail with paint or coloured pencil. I’m looking to make art that surprises me so I often try things in different ways—flat, strong colours or bold lines.”

 “I love that I never know what will emerge. I like to work on the book in one fell swoop, as much as possible, to keep the stream of ideas flowing. I may change things, even the first page. The images speak to me and tell me what to do next. In the end, there it is—a beautiful story that I didn’t know wanted to be told.”

If you are considering joining us, I will still have time to ship your kit(s). As always, Cat & I like to emphasize, especially if you are a Bookful newcomer, that absolutely no drawing, painting, collaging, or bookbinding experience is necessary. The pace and camaraderie are truly zen. (Plus you will have complete videos to watch and rewatch—all 12 hours-ful!) 
 
Bookful for The Arrival of Winter
 
Anticipatory, Bari